The social network full movie streaming
As the site's public, um, face, public opinion about him will often reflect on public opinion about the company, and vice versa. This, of course, points to another fact about Facebook: It will always be conflated with Mark Zuckerberg.
In this movie, whether or not you agree Facebook's CEO is that villain depends largely on how you feel about Facebook's CEO, bitch. (Film nerds, I'll see you in the comments below.) More than that, those stories " need a devil," as a lawyer played by Rashida Jones points out to Zuckerberg himself in a bit of fourth-wall-breaking.
In that regard, it will always be a good film-a Citizen Kane for a different kind of media mogul. Some of this is due to the fact that the filmmakers constructed The Social Network as a modern creation myth, the Hero's Journey 2.0, and those stories are timeless. It says a lot about the state of the world then it says a lot about the state of the world now. It might seem a little naive now, but the lessons, the takeaways, are the same. Like many great works of fiction, Fincher and Sorkin's movie didn't, or at least hasn't, aged poorly. It might seem a little naïve now, but the lessons, the takeaways, are the same. Facebook couldn't just erase what it couldn't repair. The "move fast and break things" mantra might've felt fun back in Facebook's early days, but as the company gained more power, the problems became bigger-and not all of them could be solved with more code. Today, amid the Cambridge Analytica and fake news dustups-and the fact that Facebook gets even Trump appointees in trouble-it feels eerily prescient. "It's written in ink." In 2010, that seemed like a whip-smart Sorkin-ism. "The internet's not written in pencil, Mark," she says when reminded of the slight. Not necessarily historically accurate-only the people who were in the room know those truths-but about its messages: privacy matters (whether you're taking photos from a sorority web site or giving access to user data), connection comes with consequences, the tech boom gave an enormous amount of power to people who'd never touched it before.īut more than any of those overarching themes, when reminded of The Social Network, I always think of Erica Albright (Rooney Mara), the woman (fictional) Zuckerberg called a "bitch" on his LiveJournal and then confronted in a restaurant a few months after their breakup. And if you liked that movie I think you'll like this one, too.Now, nearly a decade later and 15 years into the life of Facebook, I think I've realized something: The Social Network was right. The film is cut from the same cloth as the (superior) "Spotlight," which also featured Keaton and Tucci. It's ultimately the story of a rich guy who learns to care about others, and honestly, that's not exactly the type of story we need more of right now. But I'm a sucker for this kind of talky analytical drama, where great actors sit together in rooms and rattle off reams of dialogue at each other. "Worth" is not a great movie, and it has some serious flaws.
The analytical Feinberg sees all of this as a matter of facts and figures, but when he starts talking to the families of the victims he realizes this approach won't fly. It certainly doesn't sit right with Charles Wolf (Stanley Tucci), a man who lost his wife in the attacks, who refuses to let Feinberg approach his job with such emotionally cold distance. Michael Keaton is Kenneth Feinberg, a famous lawyer put in charge of the task along with his law partner Camille Biros (Amy Ryan). "Worth" is based on the true story of the September 11th Victim Compensation Fund, which was tasked with allocating financial resources to the victims of 9/11. Cast: Michael Keaton, Amy Ryan, Stanley Tucci, Tate Donovan, Shunori Ramanathan, Laura Benanti